Hermes
Tandem Lady Black Dial - Stainless Steel bracelet
This Hermès Tandem TA1.210 in stainless steel, from 2000, brings pure French Art Deco geometry to the wrist: an elongated rectangular case, subtly sculpted lugs, a dark-toned minimalist dial and a carefree Swiss quartz movement.
| Case | Steel |
|---|---|
| Diameter | 18 X 29 mm |
| Strap | Steel Strap |
| Movement | Quartz |
|---|---|
| Caliber | Quartz Swiss Made cal. 976.001 |
| Content | Mostra Travel Pouch |
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Diameter18 X 29 mm
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MovementQuartz
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CaseSteel
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StrapSteel Strap
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ContentMostra Travel Pouch
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GenderWoman
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Gender for GoogleWoman
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WaterproofingNot waterproof
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Year2000
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ModelQuartz
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VersionStainless Steel bracelet
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Manufacturer referenceTA.1 210
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Certificate of authenticityYes
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Mostra referenceMS09251198
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CaliberQuartz Swiss Made cal. 976.001
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Number of rubies3
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Lug Width (mm)14
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Glass typeSapphire Glass
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DialBlack Dial with silvered Indexes
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LoopOriginal Folded Clasp
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Strap typeOriginal Strap
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Mini Bracelet Length (cm)12
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Maxi Bracelet Length (cm)18
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Strap colorStainless Steel
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SpecificitiesSpecific & rare Art Deco style Dial
Hermès Tandem Ref. TA1.210 — 19 x 30 mm, stainless steel, black dial, Swiss quartz movement, stainless-steel bracelet with Hermès-signed folding clasp, everyday water resistance, Pre-owned 2000, Mostra travel pouch included
“When French Art Deco lines move onto the wrist, time itself becomes an expression of style.”
There are watches that tell the story of a country before they even tell the time. The Hermès Tandem belongs to this discreet family: it seeks neither spectacle nor passing fashion, but that French elegance which plays with lines, proportions and light. On the wrist, its elongated rectangle calls to mind an architect’s drawing more than a simple accessory; one thinks of Parisian façades from the 1920s, of graphic department-store windows, of stylised ironwork on hotel lifts.
Imagine a winter afternoon in Paris. The light is fading over glassware displayed on the Boulevard Raspail, and the names Lalique or Baccarat appear on the labels like landmarks of an age when France set the tone for the entire world. In the drawing rooms of high society people spoke of architects, decorators and glassmakers as readily as they spoke of music or literature. Lines grew purer, surfaces cleaner, volumes more assured. It is in this spirit that the Tandem should be understood: a watch-object that might have been born in the era of engraved glass panels and fluted columns, then travelled through to the present day without ever losing its relevance. The woman who chooses this Hermès in 2000 is not looking for a loud “statement” piece. She loves things that reveal their sophistication to anyone who cares to look: an impeccably cut twill jacket, a bag whose stitching tells the story of the workshop, a glass whose outline alone is enough to evoke a master glassmaker. On the wrist, the Tandem traces a clear line. In the morning, it accompanies a wool-and-cashmere coat and a light briefcase; at the office, it punctuates a gesture, a hand that underlines a point or turns a page; in the evening, it slips beneath a silk sleeve, leaving only a rectangle of polished steel and a clear dial showing like a glint of crystal.
There is also a very contemporary pleasure in inhabiting a heritage without turning it into theatre. Where certain original Art Deco pieces have become showcase jewels, too fragile or too precious for everyday life, the Tandem translates that spirit into an object for daily use: reliable, water-resistant at the pace of modern life, precise thanks to its quartz movement. One need fear neither rain nor travel, nor fret about lost seconds: the watch simply follows. The geometry, meanwhile, remains; like the Lalique vases or Baccarat chandeliers, these lines endure across the decades because they are right.
Wearing this Hermès means accepting that the most French detail of one’s outfit is neither a scarf nor a bag, but a small piece of steel architecture that measures the hours with the same rigour as the master glassmakers applied to their designs. A luxury that speaks softly, yet is recognised at a single glance. Although the Hermès maison began exploring watchmaking at the start of the twentieth century, it was from the late 1970s onwards, with the creation of La Montre Hermès in Biel, that the brand truly structured its own horological language, built on clean lines and subtle references to its equestrian heritage and to French design. The Tandem appeared in the late 1990s as a highly considered response to the rise of architectural ladies’ watches: a rectangular case enhanced by stylised lugs, a trapezoidal profile and the chic austerity of a pared-back dial. Several sources refer to a model “entirely turned towards Art Deco”, underlining how its angles, from the flanks of the case to the hands themselves, seem directly inspired by the graphic codes of the inter-war period.
Produced mainly between the 1990s and 2000s in various sizes and configurations (leather strap, steel bracelet, gem-set versions), the TA1.210 reference embodies the feminine “small size” version, with restrained dimensions around 19 x 30 mm, often offered with light or champagne dials and a reliable Swiss quartz movement. The example offered here, dated 2000, sits within the maturity of the line, at a time when Hermès was consolidating its watchmaking reputation whilst openly asserting its taste for cultural references, with Art Deco very much to the fore. On the wrist, this Hermès Tandem TA1.210 is immediately recognisable by its rectangular stainless-steel case with sharp edges, around 19 mm wide and 30 mm long, allowing it to remain slim and feminine whilst clearly claiming a strongly architectural design. The lugs merge visually into the caseband, extending the line without interruption right through to the steel bracelet. The black dial plays the card of sobriety: minimalist applied or printed hour markers, a fine minute track, understated hands that recall certain Art Deco pieces in their deliberate straightness. The Hermès signature remains discreet, like a cartouche placed in just the right spot on an engraving. A clear crystal protects the whole and offers excellent legibility in natural light as well as under the spots of a contemporary interior.
Inside, the watch is driven by a Swiss quartz movement of the 976.001 calibre type, a classic of contemporary watchmaking known for its reliability and low maintenance requirements. The advantage is twofold: consistent precision and the freedom to set the watch down for a few days, then pick it up again without worrying about resetting the time. The bracelet, in stainless steel to match the case, reinforces the visual unity of the piece. Its links follow the curve of the wrist with ease, whilst the Hermès-signed folding clasp ensures security and comfort in use. The water resistance is suited to everyday wear (hand-washing, splashes), whilst recalling that this watch is not intended as a diving instrument but as a companion for city days and evenings.
In everyday life, this Tandem excels precisely where Hermès is at its best: the natural transition between the moments of the day. In the morning, it goes with a white shirt, blazer and perfectly cut trousers; its compact format slips beneath a sleeve without catching. At midday, it accompanies lunch on a bright terrace, where the polished steel catches the light like cut crystal. In the evening, it finds its place with a little black dress, a dark suit or a silk ensemble: the watch never shouts, it underlines. Its versatility echoes its Art Deco inspiration. In the 1920s–1930s, a single Lalique vase could live in a Paris flat, a transatlantic liner or a New York grand hotel; in the same way, this Hermès Tandem moves from Aix-en-Provence to Paris, from meeting to weekend, from office to private view. For a woman who loves the codes of French luxury but refuses oversized logos, it is an ideal piece: a connoisseur’s watch which shows, immediately and to those who know how to see, that one has chosen line, proportion and culture over ostentation.
This Hermès Tandem TA1.210, dated 2000, is offered in fine condition, with light signs of wear consistent with a carefully worn watch. The steel case and bracelet display an even polish, the dial is clean, the hands crisp. The watch has been checked by the Mostra watchmaking workshop (movement operation, water resistance for city use, clasp security) to ensure peace of mind from the moment it is received. It is sold with a Mostra travel pouch, practical for taking the watch away for a weekend or storing it safely from shocks in a bag or safe. Choosing this Hermès Tandem TA1.210 from Mostra means, above all, benefiting from a specialist’s eye on women’s watchmaking. Each watch is selected for the coherence of its style, the interest of its line and the quality of its condition, then inspected in our workshop by a qualified watchmaker before being offered for sale. We favour pieces that tell a story — here, the subtle link between Art Deco, French luxury and everyday elegance — so that your purchase is both an aesthetic pleasure and a considered choice. Mostra, renowned for its service and customer experience, has been recognised in both the specialist and women’s press (Vogue, Figaro Magazine, etc.) as the pre-owned specialist and offers the largest selection of pre-owned women’s watches in the south of France. We attach particular importance to guidance: personalised advice in-store or remotely, help in choosing size and style, follow-up after the purchase, strap recommendations to vary how the watch is worn. All our watches are sold with an exceptional three-year warranty, a rarity on the pre-owned market and a reflection of the confidence we place in our selection and in the work of our workshop. Our verified five-star customer reviews bear witness to this standard: availability, transparency, an educational approach and a shared pleasure in fine watchmaking.
